Twelfth Night, Shakespeare's Globe, London. June 2017.
After last month's trip to the Globe to see Romeo and Juliet it probably will come as no surprise to read how nervous I was about returning to the Globe for another Shakespeare.
Sadly I think I should have listened to my inner turmoil. This was another updated pop Shakespeare and it just wasn't for me. I winced when the musicians appeared on stage with electric guitars and it got worse as the opening number (and that's not something Shakespeare wrote at all) was We are family by Sister Sledge. It was fun but what did it have to with Twelfth Night?
There were definitely elements I liked to this. The comic characters were very well done. They were funny and they didn't out stay their welcome. I also liked the twins - their story popped for me.
The rest was awful however, Orsino made my flesh creep, Olivia wasa non entity and I really really disliked Malvolio - to the extent that I don't think his mistreatment went far enough. In a play that is all about gender swapping so if you are going to have a girl play Malvolio then do something extra with this rather than just 1970s gags about a girl acting like a man. As for Feste, he had a nice sounding voice but I couldn't actually hear what he was singing - not a fault that was limited to him I hasten to add. How can adding so many speakers and microphones make the sound worse?
After talking this over with Rebecca we are in disagreement as to which play is the most terrible. Rebecca says this one and I say Romeo and Juliet - at least this one actually kept to the plot.
We had planned a double bill at the Globe on this day and had tickets to see Tristan and Yseult the same evening. It was from the same director and reviews all talk about the same wacky viewpoint and so we decided that enough was enough and sold our tickets back to the box office and caught an early train home.
We have tickets for one more play at the Globe this season but it has to be said I for one can't wait for a new AD to be in post and an end to this style of performance in what was my favourite venue.